At Last! The Holy (Or WHO-ly Grail!)

I found a site that claims to have EVERY Doctor Who episode produced!

Click and enjoy!

I’m not sure if this site has the ones that were ‘bulk erased’ by the BBC, but I’m watching some of the Patrick Troughton episodes, including the VERY first appearance of the good Doctor and the Tardis, followed by the VERY first appearance of those mechanical mutants we love to hate, The Daleks!

While watching, It’s interesting to note how little the Tardis interior, and theme music has changed, at least until the Colin Baker years. Otherwise, a good find.

Also, I plan on continuing my review of Champions Online. I want to wait for the next patch (the current one messed some features, plus they are supposedly introducing new zones)

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Wife Crying at end of Return of the Jedi

This is too hilarious!

See more at The Official Wife Crying at Movies Site

Of course, if there’s anything to cry about, it’s that they appear to have watched the Star Wars movies in the order of 1-6, because she keeps sobbing about Anakin and Padme.  It’s disturbing that there’s a whole generation for whom the revelation in “Empire Strikes Back” is not a plot twist.

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Well, that’s one metatag shot to heck

NBC’s Conan Farewell: Scrubbed From The Web, Studio Torn Apart | Online | Mediaite.

Jeez, I did a lot of work getting the embed URLs for all of those Twitter Tracker segments and other materials I’ve linked to, and now NBC yanks them all.  Now my Conan O’Brien tags in the tag cloud are needless.

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Jay and Oprah Interview

Dissecting the O-Jay interview, lie by lie | TV Barn

As you all know, I’m in Conan’s camp.  Jay may have gotten some unfair squeezing out by NBC back in 2004, but he did agree to step down from the Tonight Show.

Blaming it all on Conan’s ratings is a bit unfair for two reasons: he was doing well with the key demographic, and he had an awful lead-in that was driving viewers away from NBC completely for the night.

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No flying cars, neither.

So I’m watching “Can’t Buy Me Love“. It’s a 1987 movie from when Seth Green was a little punk.

In it, Patrick Dempsey plays a 17-year-old geek who arranges for a senior class hottie to date him for a month so that the “In Crowd” will consider him to be one of them. As the month wanes, the cheerleader sees him as a real person and begins to fall for him, especially when he takes them out for their last date. As they look through his telescope at the moon, he tells her that when he is his dad’s age there will be people living and working on the moon.

And then it hit me. 1987? His dad is played by Dennis Dugan of The Unidentified Flying Oddball
, who was 41 in 1987. I was a 17-year-old geek myself in 1987, so that math is pretty easy for me to do: Patrick’s character would be turning 41 in 2011.

Are we living on the moon yet? No. We’re even canceling the next generation of space travel.

Oh well, movies never get the future right. “2010: The Year We Make Contact” thought we’d still be locked in a space race with the U.S.S.R., and there are only five more years to invent hoverboards. On the plus side, I think Back to the Future 2 was a bit conservative in thinking the trend among teenagers would be to wear clothing inside outs. Last week, in 5 degree Fahrenheit and blowy Minnesota, I saw a punk walking down the street with his entire boxer shorts showing above his jeans, which he could only be supporting with his thighs. (Idiot.)

No jet-packs, no flying cars, no living on the moon. The only monumental thing to happen since 1987 is they remade “Can’t Buy Me Love.”

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Red Letter Media reviews “Avatar”

The guy who tore apart The Phantom Menace and the Star Trek movies strikes again!

Part Two:

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The one saving element of Red Dwarf USA

There was an attempt to bring the British Sci-Fi Sitcom Red Dwarf to the United States. Certainly, that should have been easy to adapt. It could have been big. Unfortunately, there was a lot of interference from the network, and the cast is relatively lifeless.

One change they made was that they not only kept Robert Llewellyn as Kryten, but they introduced him in the pilot as an official member of Red Dwarf. Sadly, this negates his hilarious background as the caretaker for three hot women who’ve survived an accident, but when the Dwarfers arrive they find three skeletons that Kryten has been maintaining for eons. However, his altered history makes for the one truly hilarious moment in the US pilot. (It’s at the very end of this clip.)

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2010 on TCM!

Turner Classic Movies is showing 2010: The Year We Make Contact today!

If you haven’t seen it, it’s the sequel to 2001: A Space Odyssey. It doesn’t have Kubrick’s vision, but it does have action and a plot that makes more sense. The special effects and acting are top-notch. Unfortunately, the movie still has us fighting the Cold War against the Soviet Union in 2010, and this makes it horribly outdated.

Turner Classic Movies seems to be making a few changes for 2010; they now show movies made in the 1980s and the 1990s! (“L.A. Confidential”, which is only a decade old, is on in a couple days.) Here’s hoping this only means that they’ve expanded their range for what they consider “classics”, because I remember when American Movie Classics suddenly started showing “Turner and Hooch” and shortly afterward renamed themselves America’s Movie Crapfest, er, Channel.

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Podcast #4: Chatting about Movies and Star Trek

This started out as a test of my new equipment to see if the sound quality improved (it did). Unfortunately, you should not get two guys with extensive video store clerking experience chatting about random movies. We talked for about 50 minutes! We learn that Erik pronounces “bio-pic” without the hyphen. I tend to be vocabulary-challenged and say “like”, “um” and “you know” way too much. I prepare for an MST3K version of Star Trek, and my brother ruins “Fellowship of the Ring” forever. Also, who wants us to do a list of “Great movies you may not have seen?” (Erik talks over my sarcastic line, “Have you ever heard of The Princess Bride?” Could have been a gem. Oh well.)

Recorded June 30th. I had to laugh when I heard what I say at 55:05.

 

 Chatting About Movies and Star Trek: Play Now | Play in Popup | Download

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(1 votes, average: 5.00 out of 5)

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A Chipmunk Song, VENTURE STYLE!

Stili, It’s not the same without Dave yelling at Alvin, but that’s just me.

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Phantom Menace epic review (or epic fail?)

This one is especially filled with obscenities, so please be doubly-warned before pressing play.

But really…if you like funny reviews, you need to see this! It’s hilarious, and yet it makes some hard points…such as:
WHO was the main character of the Phantom Menace?

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RedLetterMedia’s ST: Nemesis review (hilarious!)

I know I didn’t like Star Trek: Nemesis, but this really helps bring to light that I only thought of half the reasons it sucked.

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RedLetterMedia’s Generations Review

I haven’t posted in a while. To make up for it, here are a ton of reviews on YouTube that I found. These are hilarious and insightful, culminating in a wonderful takedown of Phantom Menace.

PLEASE NOTE: A lot of these have language that is NSFW.

Let’s start with his review of Star Trek: Generations:

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Iron Man 2 Trailer!!!!

Awesome!

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the Darker Seid of Life

By all means we at Monitor Duty should have written dozens of histories and recaps and essays about DC Comics’ vile Kirby demon, the evil New God Darkseid.  By now there should be hundreds of references and odes of love.  If kicked we might see it happen in the future, but I do not care to do that now.

Recently when I should have been working I googled for Grant Morrison interviews about Darkseid.  To tell you the truth I do not think that Mr. Morrison has anything profound  or unusual to say about the character but I like the way he puts together words and descriptions.   He puts together ideas that are not necessarily new or great in ways that are interesting and entertaining.  Honestly that is a good thing.  It does not matter whether the ideas are his or not.  His 52 co-writers claim that his virtue is not his creativity but his fearlessness.  He will go where his fellows will not and that seems like a strength to me (and a burden to editors and marketing staff).

Grant Morrison successfully delivers upon the marketing and communication of old ideas mixed together in way that editors would not let less experienced writers attempt.  That is the only reason I bother looking for his interviews.  I like his words; Ienjoy good poetry.  I do not care to give him credit for new meanings or new ideas.

Here is a quick Darkseid link dump.  It might be nice if, in the future, Monitor Duty has the greatest and most authoritative Darkseid link directory.  Let us leave that for the future.

• Marc Singer, who is not the Beastmaster, writes a defense of Darkseid against the Howling Curmudgeon, in that he declares why the character is a good one, but insists the biggest injury upon the character is its overuse.  They agree on the character’s three best stories but alos there are moe good stories with the character.  The most profound note is that the character is used best in stories where he seems to die a permanent death.  I think that the character is not made better by having no inner conflict, but to have the character have an inner conflict is to write him out of character.  Most good characters have inner struggles; to an extent it easier to see the super-villain in this case as a plot device.  In this light most villains are plot devices more than characters.  I can think of exceptions like Lex Luthor (depending on the writer, of course) and Doctor Doom, both of whom are self-realized as Darkseid is.  Yet Luthor (again depending on the writer) has a character arc involving his own jealousy, need for attention, his place in the world, and possibly friendship with Superman.  Doom struggles with vanity above all.  Darkseid has not issues.  He merely is.  He will never grow and he will never learn.  He will simply act, conquer, enslave, and at the end of the story arc in question he will die.  Occasionally he gets trapped in the Source Wall or something.
• A lot of this comes from a September calling for Darkseid essays.  Who has the time?  The point is that Darkseid “is a person” and I cannot say it is wrong because I sadly have read less Kirby New Gods material than I should, due to cost constraints.  As it is, what I declared in the point above is that recently Darkseid is a more a plot device, an abstract menace (as Galactus has almost always been) because while he may have been a person with a personality most writers simply treat him as an abstract personification of a dark ethos.
• The best response is this: by Keith Giffen in his Ambush Bug mini-series.
• Andrew Hickey insists that Darkseid’s desire to seize control of all life, the universe, and the entirety of creation and existence is borne out of fear of death.  Mr. Miracle is the logical counterpoint and the arch-enemy of Darkseid because as an escapological archetype he is positioned outside of the constraints of control.  Yet Scott Free himself is still not a direct and successful contrast because Darkseid name him and set his purpose.  That is Mr. Hickey’s point anyway and I am not certain I buy into it.  This plays all into ideas of “degrees of freedom” but as a Liberal Democrat (in the UK political sense) Mr Hickey’s views about what is acceptable as a definition or execution, application of freedom is suspect.
• The first Darkseid story I ever read was not the entire story but the final chapter of a JLA/JSA team-up story.  As was the the fashion at the time the occasional/formal meeting between the League and the Society finds it self linked to a third super-team, in this instance the New Gods.  I remember Justice League of American #184 (and here is the cover) because the New Gods were not only definitely super-heroes in this incarnation (and there is nothing wrong with that) but Darkseid has a personality, he is a villain with motivations and relationships.  In point of fact the bulk of the story is about relationships as well as a rise to power.  Upon his return from his most recent death in the New Gods strip from Adventure Comics, Darkseid punishes the Injustice Society for accosting his son Orion, clearly with a view of propreitry and seeing Orion as a creature, a prince, someone whose fate is more tied to Darkseid’s whim than mere encounters with bad guys.  Orion’s group consists of a Leaguer and a Society member.  All the split-groups  (I love how they follow the Gardner Fox tradition) consist of such a configuration.  For isntance Batman’s group has Mr. Miracle and the Huntress because both are versions of him in the different worlds of the different teams.  At this point each team resides in a different dimension of the DC Comics storytelling.   Because Darkseid has his relationship with the New Gods he seeks to teleport Apokolips to the spot where Earth-2 resides, destroying Earth-2 and thus landing his domain inside a universe where there would be no heroes, and no heroic New Gods.
• OAFE assesses/contrasts two Darkseid action figures making his size and sculpt major emphasis.  The Mattel version, which is the one really looked at, comes with a Mother Box as his accessory, and despite being smaller than the DC Direct Darkseid figure, is apparently just better.  Of course there is a brief history asserting that Darkseid only recently became a Superman villain despite that his first appearance was in a Superman comic.  He also discusses Grant Morrison’s formulation of the Anti-Life Equation.

I think there is something to be said that properly written the villain is a character but this applies to every character.  It is also important to note that the ending of the story as well as how often the character appears has serious impact for story quality.

(1 votes, average: 1.00 out of 5)

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Real-Life E.T. discovered!

Boy Finds Own Real-Life E.T.

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Sgt. Rock movie? Yeah, right.

Oh look, Akiva Goldsman is a producer. And it’s moved from World War II to the future. Next thing you know, he won’t be American…because that would be “jingoistic”.

Relax. This will not get made.

Look, they missed their chance to do it right by casting Bruce Willis in the 1980s. Stallone and Schwarzenegger? Nope, that didn’t happen.  And this current generation of pretty boy actors is very short on the kind of men who could pull this off.   Unless we’re going to cast Gerard Butler or Robert Downey Jr. in every comic book adaptation, I doubt they’d be able to get past the casting stage.

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Lobo Paramilitary Christmas Special

I’ve always meant to see this. As we enter the holiday season, it’s time to relax with the Lobo Paramilitary Christmas Special. NSFW, contains language, etc. … though it’s nowhere near as explicit as the real comic.

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Everything is better with lightsabers

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(1 votes, average: 5.00 out of 5)

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Movie Trailer: The Box

Back in the 1980s, the Twilight Zone had its first revival, and one of the best episodes was “Button, Button”.  The premise was very simple: a couple struggling financially is given a very simple button in a box.  If they press the button, someone that they don’t know will die and they will get a pantload of money.

Looking up that episode, I saw that it was going to be remade by the writer.  Now it looks like that movie will be coming out just in time for Halloween under the name The Box.

Here’s the only problem I have with this: that is a very simple premise that barely filled a half hour. How do you make this movie-length without diluting the story’s one-two punch of an ending?

Some stories just aren’t supposed to be 90 minutes long.  Look at The Grinch Who Stole Christmas.  There was a very short book that told an excellent story.  Even the TV episode version of it was padded with songs and bits of business in order to fill that length.  And then they made it into a movie, and there’s just no way to do that without garbaging it up.

(1 votes, average: 4.00 out of 5)

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