The Huffington Post, the crapass internet rag that it is, pretended to be something of journalism and posted something that does not resemble actual journalism and was not true but pretended to be true. This lazy notion was that the wonderful television show House of Cards was being cancelled after the second season based on speculation casually thrown about by some low-level writer. In fact the plotlines for seasons three and four have been written for Mr Spacey and he has not announced a parting of the ways.
The show is not being cancelled. May those that wrote and published that story as truth be ejected from their chosen profession and be forced to toil unhappily in order to make a decent living.
Does this accurately represent the Gundam “Correct Century” timeline?
I’m not even certain what “Correct Century” means. I watched a good deal of a few shows within the continuity of the original series and some episodes in the continuities that are more fantastical but the graphic seems cut in bad places and my memory is a little rusty after ten years.
This interview aired on Entertainment Tonight on October 28, 1982.
From my perspective the words are amazing, as are the pictures, but his Brooklyn accent, like all Brooklyn accents, sounds like a speech impediment. It is fantastic.
To be fair I have never heard Jack Kirby speak. I like the cut of his jib.
Interviews with Avery Brooks, Ira Behr, Penny Johnson
Melinda and I attended “Rifftrax Live – Starship Troopers” on Thursday. This is the first RiffTrax Live I’ve managed to attend, and it was a hoot and a half.
Through a kickstarter fundraiser, Rifftrax finally managed to secure the rights to a relatively recent blockbuster, and the results were worth the effort. Instead of making fun of a movie that excruciating to watch unriffed or is ineptly done (such as Plan 9 from Outer Space or Manos: The Hands of Fate), they tackled a movie that is bad on a completely different level.
Starship Troopers was an excellent choice. We’re talking a film that has some poor casting choices (“Denise Richards as a starship pilot” being the big one, though you could probably add “the entire cast as people from South America”), improbable enemies that overcome futuristic weaponry using Flintstone technology, strategies that only work because the humans make poor decisions, such as flying their immense craft within an elbow’s reach of the next ship even though they have the entire stratosphere to spread out in…and ham-handed Nazi propaganda analogies that are about as subtle as a Lady Gaga dress.
Favorite riffs from the evening:
“I can fit an entire can of tuna in my mouth” – Spoken as Denise appears and won’t stop smiling.
As Jake Busey’s hand gets stabbed onscreen: “Ow! That’s the hand I use to hold my giant toothbrush!”
“It’s Captain Sue Ellen Mischke!” – Indeed it is.
“That breaks my bad!” – The military commanding officer is the DEA guy from Breaking Bad, who apparently hasn’t aged a day.
“Yeuchhhhh.” – Not really a joke, just an exasperated groan at the sight of yet another shot of Jake Busey’s mugging, horse-teethed face. Probably got more laughs than anything.
The next Rifftrax Live is in October, when they’ll do “Night of the Living Dead”. My understanding is that they would like to someday riff on “Twilight”, but we’d be talking serious dough to do it. (Imagine all the young girls itching to see it on the big screen again, only to have three middle-aged guys making snide remarks throughout it. Wouldn’t that be awesome?)
from Wizard World Philly 2010, June 2010
Uploaded on Jun 14, 2010
Today I went searching for the very first mention of Wolverine having an Adamantium skeleton, and not simply bionic claws, and it was a waste of time for a number of reasons, most notably that I could not find it.
I found the page from an archive of John Byrne’s Byrne Robotics Forum where the topic was literally “Wolverine’s Adamantium Skeleton & Claws” and that by itself is extremely fascinating as John Byrne talks about elements and aspects to the character that were his and the art and method of collaboration with Chris Claremont and the sheer amount of respect between the two regarding how their differences would work. There is a good deal of summary and recollection from fans, including the stuff that is definitively marked as “retroactive continuity”, artistic differences. I also enjoyed how one of the fans described how different artists and then media depicted how Wolverine’s claws were arranged and portrayed on his hands.
What I love is that everything I thought about Wolverine literally as a kid, every problem I had regarding the character in the nineties, was something that John Byrne agreed with. I thought bone claws were stupid because there was not only no reason for them, but no natural analogue. Hey look! A professional writer/artist agrees with a 14 year old kid!
Stuff after the jump. Continue reading